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Rendering of the restored Legacy Theatre in the Stony Creek section of Branford, opening this spring.

Over the last century it presented silent films, rock concerts, Sicilian puppet shows and even a legendary theatrical disaster from Orson Welles. But for the past two decades in the Stony Creek section of Branford, the little theater — last named the Stony Creek Puppet House — has been a boarded-up shell.

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The exterior of the theater as it has appeared since roughly the 1980s.

That is until a group of theater lovers eight years ago set out to bring the theater back to life. After community meetings, permit approvals and a years-long fundraising campaign that attracted $5 million, the newly named, nonprofit Legacy Theatre will open April 23 at 7 p.m. for a socially distant, one-quarter capacity concert by Broadway performer Telly Leung. “I’m hoping the in-person show becomes a glimmer of hope that says we’ll all be back in the theater soon,” says Leung, who has starred in the title role in Broadway’s Aladdin, as well as in In Transit, Pacific Overtures, Godspell and Allegiance. In his evening of popular and Broadway songs, Leung will be accompanied on stage by pianist Gary Adler.

The journey to completion was slow going at first, led by Keely Baisden Knudsen, an actress, director, choreographer and professor, and Stephanie Stiefel Williams, an actress and former attorney.

The Thimble Islands Road location first saw a non-denominational church in 1866. After a fire, the property was sold in 1914 when the new structure became a movie house, then a community theater (the Parish Players), then a summer theater, a parachute factory during World War II, then a home to Materna-Line (“the pantie and girdle that’s a stretch ahead”) until 1960. For the remainder of the 20th century it was a puppet museum that presented puppet shows.

After purchasing the building and its adjacent artist cottage for $400,000 in 2013, the team set out to ease concerns from residents of the quiet neighborhood about what they would be presenting — and what kind of audiences the theater would attract. Reassurance was given there would be no rock concerts or dubious rentals. Concerns about parking were remedied with a shuttle service to a commuter lot off nearby I-95.

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Rendering of a balcony-seat view of the restored Legacy Theatre in the Stony Creek section of Branford, opening this spring.

In 2017 the final town permits were secure and fundraising began in earnest, buoyed by designs of a clean, wood-lined interior and a spiffed-up exterior. Renovations began in 2019 with the inside of the building gutted while the outside retained his historic facade. The pandemic slowed construction but also allowed for adjustments, such a state-of-the-art HVAC system and a back-of-house area for recording and live-streaming. The end result was a proscenium-stage theater with the audience on risers with a 127-seat capacity. The Legacy is expected to operate with an Actors’ Equity Association contract for a small professional theater.

The project cost is over $5.4 million, says Knudsen, who is also producing artistic director. A quarter of the budget came from state and federal funds, including $1.1 million in state tax credits; 65 percent from individuals and 10 percent from corporations and foundations.

So how does a theater make it with only 30 people in the audience? “We do have to lean heavily on fundraising,” Knudsen says. “We anticipate sponsorships and memberships and donations as well as ticket sales and go from there.”

The 30 tickets for the inaugural show are $99 and virtual tickets are $45. During the regular season, tickets will run from $45 to $75, with lower prices for the theater’s family series. Shows will also be presented virtually when contracts allow and Knudsen sees potential online ticket sales supplementing in-house purchases.

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The exterior of the theater, as it appeared around the 1930s and 1940s on the left; and at right, around the 1950s.

Slated for the first year of operation are five locally produced professional plays that Knudsen will direct: the comedy Barefoot in the Park (April 28–May 23); Just Desserts: A Musical Bake-Off (June 2–27); the Greek drama Oedipus Rex (July 28–Aug. 22); the musical The Last Five Years (Sept. 4–26) and A Christmas Carol (Dec. 1–12). The family series includes Polkadots: The Cool Kids Musical (May 1–29); Joan Joyce (June 5–26); and Cardboard Explosion (July 3).

A Broadway concert series will begin with Marty Thomas on May 27; Tony Award winner Debbie Gravitte on May 28; and Tony Award nominee Bryce Pinkham and Scarlett Strallen (A Gentleman’s Guide to Love & Murder) on May 29 — and will continue through the summer.

Special events will include Orson Rehearsed, “a multi-media stream of consciousness dreamscape film/opera/concert work/web installation,” with three singers portraying the iconic filmmaker, on Aug. 29. (In 1938, Welles’ summer production of William Gillette’s Too Much Johnson was a famous flop at the theater, then called the Stony Creek Theatre.)

Knudsen says it’s been quite a journey from the initial concept to opening night. “Seeing the gold proscenium go up recently was an emotional moment for me,” she says. “Seeing it come together before my very eyes, I can’t even describe the feeling. This is beyond my wildest dreams.”  

This article appears in the April 2021 issue of Connecticut MagazineYou can subscribe to Connecticut Magazine here, or find the current issue on sale hereSign up for our newsletter to get our latest and greatest content delivered right to your inbox. Have a question or comment? Email editor@connecticutmag.com. And follow us on Facebook and Instagram @connecticutmagazine and Twitter @connecticutmag.

Frank Rizzo has covered the arts-entertainment scene in Connecticut since disco reigned in the ’70s, including nearly 34 years writing for The Hartford Courant. Email him at FrRiz@aol.com. Follow him on Twitter @ShowRiz.